Screenshot: Delegate from Northumberland at Labour Party Conference.
It’s great that DiEM25 and
DiEMVoice, our arts platform, are here at Central Saint Martins tonight. I’ve
been looking at your Creative
Unions response to the
triggering of Article 50. And I think this
call to demonstrate that creativity must operate across borders and boundaries
couldn’t be a
better starting point for us.
I say this because I want to talk – not so much about the direct threat posed to
our beleagured democracies by what Yanis rightly calls the nationalist
neofascist international – as about its challenge to a cultural politics of
self and other that I believe is all around us.
Operating across boundaries is at the heart of this
challenge. As Inna
Shevchenko, the exiled Ukrainian leader of FEMEN says, “Democracy is not
only about counting silent hands… it is about allowing the confrontation of
different opinions; many, many voices; about public debates, discussions and
disagreements too.” These are
‘discussions and disagreements’ where people listen to each other, and may
change their minds about what is the right or the winning position, because, as
Shevchenko says, “We all have multiple identities and we also have multiple
answers.”
She contrasts this with the way that rightwing populists and
extreme nationalists aim instead to divide society “by reducing people to only
one identity, only one adjective; by creating clashes between groups, groups
that live in the same way, think in the same way, practise their religion in
the same way. Then, they claim to represent these groups, manipulating
societies by playing on the fear and insecurity of individuals.”
The truth is that the Bannonite leaders of Europe cannot
thrive in societies that are confident about crossing borders. If “Brexit means Brexit”, it is because the
‘people’s will’, this unitary sovereign will they are so fond of invoking, must
be beyond question or change. The Bannonites only thrive in a profoundly
unequal Us and Them society, secured from its enemies without and within by the
strong man who can act with
impunity, breaking all the rules on behalf of the ‘real people’, people who are
only readily convinced that they are winning if someone else is losing out.
Take a recent classic example from
Italy. This August,
using his loudspeaker, a train conductor ordered “gypsies and molesters” to get
off the train on the grounds that they were “pissing off” the other passengers,
presumably the ‘real passengers’. As a
public official he was picking up on the wishes of Deputy Prime Minister
Salvini, who had recently announced his intention of opening a file on the Roma
people, regretting having “to keep” ones holding Italian citizenship, as he put
it. Matteo Salvini now promptly returns the compliment on his Facebook page, by
publicly naming the passenger who had reported this discriminatory act, and calling
instead for support for the official. As a result, the passenger received more than 50,000 messages – the usual
mixture of sarcastic, intimidating and menacing.
For
DiEM25, the passenger operating across boundaries is the imaginative democrat here,
a victory in itself against the Nationalist International. But what of the
50,000, a force proliferating enemy images and en route to violence? If we are to reinvent our democratic cultures,
we need the skills to be able to reach out across those boundaries and change
people’s minds. And for that, my premise is that we need a culture of “openness
and generosity” that acknowledges vulnerability as a strength.
This
is why I am concerned at the shift in the meaning of the ‘safe space’ that has
taken place in my lifetime. During the euphemistically-called ‘Irish troubles’,
a ‘safe space’ was the place where brave Catholic and Protestant individuals,
and the very brave people who brought them together, would meet to work out a
better way forward than violent conflict. In these conflict resolution spaces, whatever
the power imbalances between the parties, and regardless of the conflict raging
outside, for the duration those present were equal. They were mutually vulnerable,
face to face and crossing boundaries to overcome the enemy images and change
each others’ minds. How different is the
‘safe space of today’? – an identity politics that demands recognition and
state protection for socio-economic groups unjustly marginalised, by securing
them from the Other, in a borderless
space free from threatening conflict, criticism, or too unsettling debate.
Of course inequality creates far too many victims in our
societies today, but this victim culture worries me. Because the nationalists
and the xenophobes are all too quick to capitalise on the worst aspects of a securitising
relationship to the Other, with its repertoire of anger, authenticity,
truth-speaking and public presence and its retreat to ‘people like us’.
Writ
large, under their leadership, we can see in country after country the
emergence of aggrieved majorities,
encouraged by their political representatives to perceive themselves as the
real people, the ‘National
Us’, unfairly victimised by some Other – let us say a few thousand migrants
destitute on European shores whose arrival has triggered a major political
crisis throughout the European Union.
In renewing our democratic culture, our strength will never
rely on force, whether the force of numbers or the strong man with his warlike
qualities, but in sharing time and time again the creativity, and yes the
pleasure and joy that is released in that moment when we are not frightened of
the multiple identities and multiple answers in each of us. Theatre people surely know
this in their core, because theatre happens in those spaces between the
different worlds that people are. “Even in political theatre”, as Harold Pinter
said in his famous Nobel
lecture:
“The
characters must be allowed to breathe their own air. The author cannot confine
and constrict them to satisfy his own taste or disposition or prejudice. He
must be prepared to approach them from a variety of angles, from a full and
uninhibited range of perspectives, take them by surprise, perhaps, occasionally,
but nevertheless give them the freedom to go which way they will.”
That is why I urge you tonight, in your Call to Action, don’t
move too swiftly to what binds us together in the Creative Union. Let us
instead freezeframe the previous precious moment, which is the crossing of
geographical borders, social borders, borders of all kinds – that openness to
what is different when the outcome hangs in the balance for all, when – as I
believe creatives know – whole new worlds can appear.
That is a pluralist democratic culture, one sorely needed back
here in Brexit Britain, where two aggrieved majoritarian National Us’s have
been so busy tearing our political fabric apart.
***
I end with a suggestion. I don’t know if any of you saw that
interesting moment at Labour Party conference when a young delegate from Northumberland, confronting a sea of
enthusiastic Remainer activists fresh from an impressive demonstration on the Liverpool seafront, was the first speaker to come out clearly against the People’s
Vote. He said:
“Delegates
should remember what people feel about a ‘people’s vote’ in places like my
constituency in Blyth Valley where we
voted overwhelmingly to leave. I am not against
Europe. I myself am a European, from a third generation Polish refugee family
expelled after the war. But now I believe the European Union to be a capitalist
club that is for the few, not the many.
“I
implore you all, come to Blyth Valley, go to Bowes Court where the buildings
are crumbling behind St. Wilfrid’s Catholic church. Go to Cowpen ward. Tell them why you want us to remain, and go
to Kitty Brewster, where for too long they’ve felt marginalised like they have not had their voices heard.”
(my italics)
Here’s
my idea. Why can’t we say, yes? Let us cross the boundaries between Us and Them,
geographical, class, age barriers and so many other borders. Let’s bring the
metropolitan Remainers to Bowes Court, St Wilfrid’s Catholic church, Cowpen
ward, so that we can all get to know each other better.
Let’s
ask ourselves why neither side in the Brexit debate and none of the main
political parties, have ever thought to propose and enable this – why they
incite us, scare us or maybe just manage us – but never invite us onto the
stage of history to meet each other and change each others’ minds, confident
that our differences can be mutually revealing and that we Leavers and
Remainers can build a better future together?
It
is my belief that we will never renew our democracies until we the people, in
all our diversity, come onto that
stage of history in our own right, once and for all. I’m hoping that you will
agree that this is a job worthy of the best creative minds. And thank you for
listening.